My practice begins with photographing figures submerged in water, where the body becomes a vessel for visualizing inner emotions and states rather than a literal subject.
In this fluid space, light and waves bend and ripple, continuously transforming the forms into shapes that hover between representation and abstraction. These images evoke the instability and ambiguity of contemporary identity.
The images are then digitally deconstructed and recomposed, layering color, texture, and movement through both algorithmic and hand-crafted interventions.
The resulting works merge digital precision with tactile sensibility, creating a visual language that explores the delicate interplay of body and emotion, reality and virtuality, presence and dissolution.
Through this immersive process, the work becomes a meditation on human existence, perception, and the fleeting, ever-shifting nature of being.
Unique Printmaking
Giclée Prints Enhanced with Hand Painting
These pieces are a unique fusion of digital, photographic, and traditional media. The original image—born from a digital artwork based on photography—blends abstraction with realism, allowing viewers to experience both visual modes simultaneously. After the digital-to-physical transition through printmaking, hand-painted elements were added directly onto the paper. These painted gestures bring depth and tactile presence to the surface, creating a textural contrast that challenges the conventional flatness of prints. The result is a hybrid visual language that explores perception, materiality, and the dialogue between digital precision and human touch.
Special UV printing
on Renaissance board
In this work, digital precision meets tactile depth through UV printing on a wooden board. By repeatedly printing specific sections of the image, the artist amplifies sharp lines and pixel edges, creating a surface that is both visually and physically layered. These raised textures invite the viewer to not just look, but to feel—to trace the contours of the image with their hands.
The composition itself is a meditation on dimensionality. Multiple black-and-white image layers are superimposed, forming a dense visual field that evokes an alternate spatial reality—something between memory, architecture, and imagined space. This layering suggests movement between dimensions, blurring the line between the digital and the physical, the seen and the sensed.
